![]() ![]() However, the trade-off is that they lack more low-bass.Īlthough they lack a bit of punch and rumble to their sound, these comfortable over-ears have a touch of extra high-bass to add warmth to mixes. Their dynamic transducers aren't as prone to stereo imaging issues as planar magnetic headphones. Audio feels like it's coming from out in front of you rather than from inside your head. However, if you're looking for an immersive experience regardless of cost, these open-back over-ears have an outstanding soundstage that's large, natural, and spacious. These top-of-the-line headphones aren't for everyone their high price point puts them out of reach for most users, and you'll need a powerful amplifier to drive them, which can be an additional expense. Minimum OS requirements: Windows 10/Mac OS 10.15.The best audiophile headphones we've tested are the Sennheiser HD 800 S.Processing: APHEX digital signal processing:.Digital power requirements: Via USB: 5V 100mA.Analog output connectors: 3-pin XLR, 3.5mm headphone jack.Sensitivity: -57 dB re 1 Volt/Pascal (1.4 mV 94 dB SPL) +/- 3dB.Pricing & Availability: The RØDE PodMic USB is available now from RØDE dealers. If you are looking for an excellent value podcast mic with XLR and USB, the RØDE PodMic USB is unbeatable. With this setup, you can easily record a podcast with up to four mics and a laptop. Up to four RØDE PodMic USB mics can be grouped using RØDE’s Connect software with its virtual mixer. The sound is as good as ever, but the convenience of the USB option adds a whole new dimension and is well worth the modest uplift in price. Whether it’s used to record a multi-guest podcast with a mixing desk like the RØDE ProCaster and XLR connection or hitching the mic up to a laptop for on-location recording or outside broadcast, the RØDE PodMic USB offers superb value for money. This fabulously versatile microphone now offers the best of both worlds. ![]() Verdict: RØDE has triumphed with the PodMic USB. ThePodMic UB Is incredibly versatile and up to four PodMic USBs can be teamed up on a single. The EQ slightly favors the top end, but it is nothing that can’t be cured with compression or by using the mic with RØDE Central to access its built-in APHEX processing to add some “Big Bottom.” Like most dynamic microphones, the PodMic USB isn’t quite as deep and resonant as a good condenser mic. The build quality is as good as ever, while the sound quality is excellent and the frequency response of 20Hz to 20kHz is ideal. RØDE has done a superb job bringing USB functionality to the PodMic without spoiling the XLR performance or altering the general sonic character of this well-loved mic.Įverything else about the PodMic USB remains the same. The zero-latency monitoring provided by the built-in headphone jack is excellent and hiss free. The PodMic USB is easy to drive with the USB connection and provides excellent output levels. However, for podcasting or broadcasting, this limit on the resolution isn’t too important, but musicians might prefer a bit more headroom. I was slightly surprised that the PodMic USB tops out at 24-bit and 48kHz resolution some other USB microphones will go as high as 192kHz. 3.5mm stereo jack for zero-latency headphone monitoring. There's a superb brass volume dial and a. The lesson here is to ensure your audio interface has sufficiently muscular preamps if you use the XLR connection of the PodMic USB.Īt the rear of the PodMic USB are XLR and USB-C outputs. RØDECaster’s superb Revolution preamps easily drove the PodMic USB and had gain to spare. No matter which USB audio interface I tried – Focusrite Scarlett 2i2, EVO 4 and Audient i4 – the PodMic USB still required a lot of gain when used with the XLR connector.įinally, I tried the XLR connection with the new RØDECaster DUO, which was a completely different story. It is the same old PodMic we know and love, but it’s not any easier to drive. It seems like there’s no change from the earlier PodMic. To put the new RØDE PodMic USB through its paces, I tested with the XLR connection to see if this new version was any easier to drive. The downside of using a dynamic mic is that they can be less sensitive than a condenser mic and, therefore, harder to drive. RØDEĮven when not used in a studio, the ability to sound good in all conditions makes dynamic mics popular with podcasters when recording on-location where the acoustics may be less than ideal. The RØDE PodMic USB Is every bit as well built as the XLR-only version. ![]()
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